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A - Z  of Quilty Terms

A

Acrylic (or Quilting) ruler: Marked in inches made from thick, clear plastic, and is used to make straight cuts with a rotary cutter. Available in a variety of sizes and shapes.

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Acrylic template: Thick, durable plastic pattern used to trace and/or cut around. Available commercially in a variety of shapes (curves, diamonds, leaves, etc.) and patterns. They can also be used with a rotary cutter.

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Alternate blocks: Plain, pieced, or appliquéd blocks used between a quilt's primary blocks. Also called alternate squares or setting squares.

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Appliqué: A technique where fabric shapes are cut and sewn onto a fabric block or quilt top. Typically, a fusible material is ironed to the wrong side of a shape, and then ironed to the background fabric.

There are many types of applique: Needle turned: this involves hand work where you use a needle to turn edge under and then hand stitch in place. Raw edge applique: technique used to fuse your shape to fabric, then use a decorative stitch to adhere to quilt block. Applique is used to embellish or create interest to a block or quilt.

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Awl: A tool typically used in leather making to create holes. Can be used in quilting to pierce templates for marking points.

B

Backing: A quilt consists of three layers. The bottom layer of a quilt is a piece of fabric that is referred to as the backing.  Backing fabric can be a single piece of extra wide backing fabric, a fabric of your choice which will be sewn together to the size needed or even scraps of fabrics sewn to make up the required size.

As a general rule, the backing is always about 4 inches longer and wider on all sides to allow for quilting.

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Background quilting: Stitching in open interior spaces, such as in setting squares. Squares, diamonds, clamshells, or other small regular shapes are commonly used as background quilting. The closely spaced lines tend to flatten the area being quilted, creating a low-relief, textured appearance. Also called filler quilting.

 

Bargello: A quilt style identified by peaks and valleys created from squares of fabric that are sewn in strips, then cut and offset before joining the strips again.

 

Basting: Basting uses long stitches used to temporarily hold fabric in place, can be done by hand or by machine. Also called Thread Basting.

For quilt basting, there are a couple of different methods; the main two used - thread basting or pin basting. Thread basting holds all three layers (quilt top, batting and backing) in place ready for quilting. (It is not necessary to secure thread knots on either ends of the stitching, as it is merely a way to secure the layers together. These stitches are removed once quilting is complete.) Pin basting uses curved safety pins to secure the quilt layers together.

 

Basting spray: Adhesive available in a spray can that may be used to hold the layers of a quilt together instead of thread- or pin-basting.

 

Batting: Material used between the quilt top and quilt backing. Batting is also referred to as Wadding. It is generally made from cotton, cotton/polyester blend, bamboo, wool, or bamboo/cotton blend.

 

Bias: The length or width of woven fabric is considered straight grain, there is no stretch when fabric is on the straight of grain. When you cut diagonally at 45-degree angle across the straight grain, you will be on bias. When cutting on the Bias you will always have a greater amount of stretch.

 

Bias Tape: Strips of fabric in various widths that are cut diagonally across the grain to give the fabric some movement so it will turn curves nicely. Can be bought or made. 

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Binding: This finishes the quilt by encasing the raw edges with a strip of fabric. This can be made from straight or bias depending upon the quilt (a curved edge would use bias binding so it sits nicely around the curves). 

 

Bleeding: When colour or dyes from one fabric transfers to another during washing. This is due to hand dyes or colour saturated fabrics losing their dyes when they are wet. Vividly coloured fabrics, particularly purples and reds commonly bleed when washed. (I always include Colour catchers, as I don’t pre-wash fabrics)

Pre-washing fabric is a personal choice. The only thing to consider is that if making a quilt, all pieces should be either pre-washed or not, as this will affect the finish of the quilt when it has its first wash!

 

Blocks: The basic unit, usually square and often repeated, from which many quilts are composed. Blocks may be pieced, appliquéd, or solid. Seams are traditionally ¼ inch.

 

Blocking: When a block is not square, a process that requires wetting and pressing fabric to a proper square block. Steam can also help stretch portions of your block to match other blocks.

 

Block mock-up: A sample of a block made by cutting the shapes from the desired fabric and affixing them to a surface. Creating mock-up blocks allows the quilter to see how fabrics will work together when cut into smaller pieces.

 

Bobbin work: Winding thick decorative threads that won't fit through the machine needle onto the bobbin, then stitching from the quilt back so the bobbin thread appears on the quilt front.

 

Borders: Strips of fabric that frame the quilt. You can have one or many borders in a quilt top. You may also have borders surrounding your quilt blocks, also known as sashing.

 

Border prints: Contained fabric designs that run lengthwise on the fabric bolt. Often these prints are cut apart and used as a quilt border.

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Burr: A nick or rough area on a needle that may snag fabric.

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Butted corners: Term used when border pieces meet at a 90° angle or when binding pieces overlap in the corner at a 90° angle, rather than being mitred.

C

Cake Layers (or Layer Cake): Fabric that is cut into 10” squares and packaged together. Quantity in the bundles can vary among manufacturers.

 

Centre point: The visual or actual centre of a block where units come together.

 

Chain Piecing: Sewing patchwork pieces in a continuous chain from edge to edge without backstitching. Short lengths of thread link the pieces together.

 

Charm Pack: A variety of a fabric line cut into 5″ squares and packaged together. Quantity in the bundles can vary among manufacturers.

 

Colour retention: A fabric's ability to retain its colour when it is washed.

 

Colour wheel: Device used to see the relationships of primary, secondary, and tertiary colours and the tints and shades of each.

 

Colour-wash quilt: See "Watercolour quilt."

 

Continuous bias binding technique: A method of marking, sewing, and cutting a square of fabric so as to transform it into one long bias strip.

 

Continuous Line Quilting: A pattern in quilting in which the design line continues from start to finish so you don’t have multiple stops and starts.

 

Continuous sashing: Strips of fabric that separate entire rows either vertically or horizontally.

 

Contrast: The differences between fabric values, which are described as light, medium, or dark. Contrast clarifies design and makes depth apparent.

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Cornerstones: Squares of fabric pieced within sashing that align at the block corners.

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Crazy quilting: A type of quilting popularized in Victorian times. Crazy quilting is identified by odd-shape pieces of fabric usually sewn onto a foundation and embellished with fancy embroidery, ribbons, and beading. Silk, velvet, cotton, and other fine fabrics are typically used in crazy quilting.

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Crosshatch: See "Grid quilting."

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Crosswise grain (cross grain): The threads running perpendicular to the selvage across the width of a woven fabric.

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Cutting mat: Surface used for rotary cutting that protects the tabletop and keeps the fabric from shifting while cutting. A self-healing mat means the blade does not leave cut marks or grooves in the surface even after repeated usage.

D

Darning foot: An open-toe sewing machine foot that is used for free-motion quilting.

 

Design wall/surface: A vertical surface used to position and view fabric choices to see how they might appear in a quilt.

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Diagonal set: A style of quilt top where the blocks are set "on point" in diagonal rows.

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Die-cutting: A time-saving alternative to rotary cutting. Layers of fabric are centred over a custom-shape die blade, covered with a cutting mat, and rolled through a die-cutting machine.

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Directional borders: Borders that have designs running in a particular sequence or order.

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Directional pressing: Ironing seams in a designated direction to limit bulk in certain areas of a block. Commonly used in diamonds and other centre-intersecting blocks.

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Drag: Caused by the weight of the quilt pulling while sewing. Drag can result in distortion of a finished quilt or uneven quilting stitches.

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Drape: The relative stiffness or softness of a fabric or quilted piece. The batting choice, as well as how much quilting is done, will determine how a quilt will drape.

E

Easing: The process of working in extra fabric where two pieces do not align precisely, especially when sewing curves.

 

Echo quilting: Stitching multiple lines that follow the outline of an appliqué or other design element, echoing its shape.

 

Embellishment: The process of adding decorative items or stitches to a quilt top. May include buttons, beads, heavyweight threads, or charms.

 

English paper piecing (EPP): Technique of stabilizing fabric over a paper template and then hand sewing together.

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Equilateral triangles: A triangle in which all three angles measure 60°. Six equilateral triangles combine to create a hexagon.

F

Fat eighth: A 1⁄8-yard fabric cut that is cut crosswise from a 1⁄4-yard piece of fabric for a finished size of approximately 9”×22" USA, (Australian fat 1/8ths are slightly larger as they use metric to cut)

 

Fat quarter: A 1⁄4-yard fabric cut that is cut crosswise from a 1⁄2-yard piece of fabric for a finished size of approximately 18”×22" USA, (Australian fat 1/4 are slightly larger as they use metric to cut)

 

Feed dogs: The sawtooth-edge machine component that rests under the throat plate and aids in moving fabric beneath the presser foot.

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Finger-press: The process of pressing a small seam using a finger and pressure.

 

Flannel: A 100% cotton fabric that has a brushed, napped surface.

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Floating blocks: A look achieved by cutting side and corner setting pieces large enough that the block edges in the quilt centre do not touch the border.

 

Flying Geese: Consist of rectangular shape that is twice as long as wide, with a triangle in the centre.

 

Foundation piecing (or Paper Piecing or FPP): A method of sewing fabric pieces on the reverse side of a paper pattern or foundation fabric to create a complicated block or design.

 

Four-Patch: A block or unit comprised of four equal-size squares sewn in two horizontal rows.

 

Framed block: A block with fabric strips around it that give it the appearance of being framed. This technique can be used to unify blocks or adjust block size.

 

Free Motion Quilting: A process requiring a free motion quilting, darning or hopping foot. Requires you to drop your feed dogs so you can move fabric freely in all directions.

 

Free-motion embroidery: Machine embroidery done with the feed dogs disengaged and using a darning presser foot so the quilt can be moved freely on the machine bed in any direction.

 

Freezer paper: Paper commonly available at grocery stores that can be used to make appliqué patterns. The shiny coating on one side temporarily adheres to fabric when pressed with a warm iron.

 

Fusible web: A paper-backed adhesive that can be ironed to the back of fabric that is then cut into shapes. These fused shapes are adhered to a background fabric by pressing them with a warm iron. Frequently used in appliqué projects.

 

Fussy cutting: Isolating and cutting out a specific print or motif from a piece of fabric.

G

Glass-head pins: Pins with a glass head that won't melt when pressed.

 

Grain: The direction of threads (lengthwise or crosswise) running through a woven fabric.

 

Grandmother's Flower Garden: A traditional quilt design created entirely from joining hexagon shapes.

 

Grid quilting: Quilting in vertical and horizontal lines across the quilt top. Also called crosshatching.

H

Half-square triangle: The 90° triangle formed when a square is cut in half diagonally once.

 

Hand appliqué: Using needle and thread to hand-sew fabric pieces onto a fabric foundation.

 

Hand ironing tool: A piece of hardwood that can be used to "press" open a seam. Also called a Tailors Clapper.

 

Hand piecing: Using needle and thread to hand-sew seams while making a quilt top.

 

Hand quilting: Series of running stitches made through all layers of a quilt with needle and thread.

 

Hand Quilting Thread: Thread used to quilt the three layers together by hand. This thread is generally not be used in a sewing machine as it is very thick.

 

Hanging sleeve: A piece of fabric sewn to the back of a quilt. The fabric holds a rod so a quilt can be hung for display.

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Homespun: A fabric woven with coloured threads rather than printed. The colour is inherent in the fabric and not applied at a later time.

I

In-the-ditch quilting (or Stitch in the ditch): The method of stitching just next to the seams on the quilt surface.

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Interfacing: The term for a variety of materials that are used on the wrong side (either fused or sewn in) of a fabric to give it more stability or loft or whatever the desired effect may be.

J

Jelly Roll: Fabric cut into 2 ½ inch strips and wound into a roll. Used for strip piecing and other various patterns, and also binding.

K

Kaleidoscope: A quilt block pattern in which fabric is pieced so that it resembles the variegated image seen through a kaleidoscope.

 

Knee-lift presser foot: An attachment to your machine that allows the quilter to raise the machine presser foot with the knee, leaving the hands free to manipulate or hold the fabric.

L

Lap quilting: Hand quilting done while holding the quilt loosely in the lap without using a hoop.

 

Lengthwise grain: The threads running parallel to the selvage in a woven fabric.

 

Light box: A translucent surface that is lit from below and is used for tracing patterns onto paper or fabric. Available in crafts or photo-supply stores.

 

Loft: The thickness of the batting.

 

Log Cabin: A block assembled in a numerical sequence with strips, or "logs," beginning at the centre of the block and working in a clockwise direction around a square centre.

 

Long-arm quilting machine: A quilting machine in which the quilt layers are held taut on a frame that allows the quilter to work on a large portion of the quilt at a time. The machine head moves freely, allowing the operator to use free-motion to quilt in all directions.

M

Machine appliqué: Attaching fabric motifs onto a fabric foundation with a sewing machine.

 

Machine piecing: Using a machine to sew patchwork pieces together with 1⁄4" seam allowances.

 

Machine quilting: Series of stitches made through all layers of a quilt sandwich with a sewing machine rather than by hand.

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Matching point: Where the seam line joining two pieces begins or ends. Also known as a joining point.

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Metallic thread: A synthetic thread with a shiny, metallic appearance.

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Micro Quilting: Quilting that is done as background fill, small and precise micro patterns. Micro quilting contrasts with your primary motifs and actually makes them stand out in a quilt. This technique adds visual interest, definition and texture.

 

Mirror image: The reverse of an image or how it might appear if held up to a mirror.

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Mitred borders (or Mitred Corners): Border strips that meet in the corner at a 45° angle.

 

Mock-hand appliqué: A method of using clear, monofilament thread in the needle, cotton thread in the bobbin, and a blind hemstitch to make virtually invisible appliqué stitches by machine.

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Monofilament thread: A clear or smoke-coloured thread made of polyester or nylon that is used for machine quilting and appliqué. Finished stitches are virtually invisible.

N

Needle threader: A device that helps in getting thread through the eye of a needle. Available for both hand and machine sewing.

 

Needle-turn appliqué: An appliqué method in which the seam allowances are turned under with the needle tip just ahead of the section being stitched.

 

Nine-Patch: A block or unit comprised of nine squares of fabric sewn together in three horizontal rows, often with alternating colour placement.

O

Off grain: When the lengthwise and crosswise grains of fabric don't intersect at a perfect right angle.

 

On Point: A block that is placed at a 45-degree angle on the quilt top.

 

Outline quilting: Quilting done 1⁄4" from a seam line or an edge of an appliqué shape.

P

Paper foundation (Foundation Paper Pieced or FPP): A thin piece of paper with a drawn, printed, or stitched pattern that becomes the base for a quilt block when fabric is sewn directly onto it.

 

Patchwork: The art of sewing small pieces of fabric together to make a larger fabric or design. It is then usually quilted.

 

Pieced border: Blocks or pieced units sewn together to make a single border unit that is then sewn to the quilt centre.

 

Piecing: Process where fabric pieces are sewn together to form a block, garment or quilt.

 

Pin-baste: Process of basting together quilt layers using pins (most often safety pins).

 

Pounce: A chalk bag that can be patted over a stencil to transfer a pattern to fabric. Also called stamping powder.

 

Prairie points: Folded fabric triangles used as a quilt border or embellishment.

Q

coming soon

R

coming soon

S

coming soon

T

Template: A shape or design that is placed on fabric and used as a pattern to trace or cut around pieces for patchwork or applique.

 

Tessellating designs: When a single shape is repeated on a quilt top and covers the surface without holes or overlap.

 

Thimble: Protective covering for your finger used during hand quilting or sewing binding and/or applique. Can be made of metal, leather, plastic, or rubber.

 

Tied Quilt (or Tufting or Tying): A stitch technique where a quilt is layered with backing, batting, and top and periodically tied and knotted with pearl cotton or yarn to hold it together instead of quilting it.

 

Tone-on-tone: Fabric that appears solid from a distance but has subtle areas of light and dark.

 

Tracing paper: A thin, translucent paper used for copying patterns.

 

True bias: Intersects the lengthwise grain and crosswise grain at a 45º angle.

U

UFO: A term used to refer to an “unfinished object” or project. (Most quilter have many projects on the table at any given time.)

V

Variegated thread: Thread in which the colour changes throughout the strand.

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Vertical set: A style of quilt top in which the blocks are set on point in vertical rows.

W

Wadding: Batting or wadding is the middle layer of the quilt.

 

Walking foot: A sewing machine presser foot attachment with grippers on the bottom that work in tandem with the machine's feed dogs to evenly feed multiple layers of fabric and batting beneath the foot. Effective for machine quilting. Also called an even-feed foot.

 

Watercolour quilt: Quilt identified by multiple squares of print fabrics positioned so each colour blends into the next, creating a watercolour effect. Also called colour-wash quilt.

 

Water-soluble: Threads, stabilizers, or marks that dissolve when wet.

 

Whole Cloth Quilts: Name given to three single pieces of fabric sandwiched and sewn together in the quilting process. The design is in the quilting.

 

WIP: Work In Progress, a common abbreviation used in quilting.

 

WOF: Width of fabric. You will find this abbreviation in many quilting patterns.

 

Wrong Side: The “back” side of the fabric; usually the opposite side of a distinctly printed fabric.

Y

Yo-yos: Three-dimensional gathered fabric circles that may be sewn into quilt tops or used for decorative embellishments.

Z

Zigzag set: A style of quilt top in which the blocks are set on point in vertical rows that are slightly offset.

Tutorial - FPP: About
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